The Radio’s Playing - a rock ‘n’ roll journey into the soul

By Laura Bailey

NEW BRITAIN — “The Radio’s Playing,” a new rock musical written by Bill Arnold and Scott Stephen Kegler, explores the tumultuous journey of Bobby Alexander, a once-successful singer-songwriter who becomes consumed by the pressures of the music industry and his own internal struggles. The production, which blends powerful vocals, poignant storytelling, and dynamic stagecraft, is an emotional rollercoaster that resonates long after the curtain falls.

At its core, “The Radio’s Playing” is the story of Bobby’s unraveling, driven by his obsession with meeting the relentless demands of his career. Arnold, a veteran musician and playwright, draws on his own experience in the music industry to create a compelling portrait of a man at war with his own artistry. Bobby’s fierce dedication to his work strains his relationships with his ex-wife Ramona and his daughter Emma, leading him into a downward spiral of self-doubt and alienation. As Bobby drowns in his creative chaos, his redemption comes in an unexpected form: a gift from Emma, a radio that plays an achingly beautiful song written by her.

The collaboration between Kegler and Arnold is compelling. Kegler’s script shines with its complexity and wit, especially in the exploration of Bobby’s strained relationships. His dialogue strikes a balance between humor and heartbreak, giving the characters depth and authenticity. Kegler’s knack for finding humor amid the darkness also adds welcome levity to the show.

The show’s heart lies in its music, with all the songs penned by Arnold himself. His compositions are nothing short of masterful, from complex vocal harmonies to infectious up-tempo numbers and soulful ballads. “The Radio’s Playing” features a dynamic range of styles, each serving the emotional weight of the scenes. The show’s music director, Carolyn Fisher, ensures the score is executed flawlessly, with each song blending seamlessly into the narrative.

_{^{Left: Whitney Rogers and Patryk Mathieu. Right: Tim Adams and Jess Fontaine. | Laura Bailey}}

_{^{Left: Patryk Mathieu and Laura Jeannine Sarrazin. Right: Dennis Hull, Patryk Mathieu, Kate Micari and Jess Fontaine. | Laura Bailey}}

One of the most memorable numbers is “Defective Man,” a raw, intense ballad performed by Patryk Mathieu as Bobby. His powerful vocals, ranging from rock baritone to soaring high notes, are on full display in this haunting song, which reflects Bobby’s internal struggles and mounting sense of failure. The highlight of Mathieu’s performance is seen during the finale, when he delivers a gut-wrenching performance as Bobby experiences his emotional breakthrough.

While the central arc of “The Radio’s Playing” revolves around Bobby, the female characters add layers of complexity and depth to the narrative. Jeanie D. Tuzzio brings sharp comedic timing to her portrayal of Jack, Bobby’s long-time friend, offering much-needed levity amid the show’s darker moments. Whitney Rogers delivers a chilling performance as Lexi, a cutthroat music executive whose power plays contribute to Bobby’s unraveling. Rogers’ nuanced portrayal relies on subtle facial expressions and body language to convey Lexi’s cold, calculating nature.

Kate Micari is captivating as the quirky muse, a character only visible to Bobby, who attempts to provide him with creative inspiration and a sense of direction. Micari’s rich vocals shine during several musical numbers, offering a contrast to Bobby’s turmoil. Laura Jeannine Sarrazin’s portrayal of Anne, a young reporter and Bobby’s devoted fan, is likable, with her clear, dulcet tones adding an additional layer of emotional depth to the show.

Kate Stango delivers a standout performance as Emma, Bobby’s daughter, whose song ultimately pulls him from the brink. Stango’s soulful voice, combined with her heartfelt acting, makes the final moments of the musical deeply moving.

^{_{Left: Kate Micari and Patryk Mathieu. Right: Kate Stango. | Laura Bailey}}

^{_{Left: Patryk Mathieu and Jeanie D. Tuzzio. Right: Kate Stango, Tim Adams and Patryk Mathieu, in the booth; Ed Bernstein. | Laura Bailey}}

Ed Bernstein’s portrayal of Doc, the audio engineer who serves as Bobby’s sounding board, is perfectly cast. Bernstein’s calm, grounded performance offers a stabilizing presence in the midst of Bobby’s chaotic world, making him a crucial emotional anchor in the show.

The show’s ensemble cast, including Tim Adams, Jess Fontaine, and Dennis Hull, adds energy and vibrancy to the production with their vocal harmonies and spirited dance numbers. Their presence is especially felt during the high-energy, group performance numbers, which contrast nicely with the more introspective moments of the musical.

“The Radio’s Playing” was expertly directed by Christina Giannelli, whose artistic interpretation of the script, creative decisions and brilliant casting bring the masterpiece to life.

The set design, by Arnold, draws inspiration from a studio where he recorded albums decades ago. The result is a strikingly authentic and immersive backdrop that transports the audience into Bobby’s creative space. Though the design reflects Arnold’s own experiences in the music industry, “The Radio’s Playing” is not autobiographical.

“The Radio’s Playing” will debut tonight at Hole in the Wall Theater with performances running Fridays and Saturdays through Dec. 21, and a Sunday matinee on Dec. 15 at 3 p.m. Tickets are $25 for general admission and $20 for students and seniors, with a special “pay what you can” night on Dec. 13.

In its exploration of creativity, family, and the redemptive power of music, “The Radio’s Playing” is a deeply resonant and unforgettable experience.

Laura Bailey can be reached at lbailey@bristoledition.org

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